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| A1 |
Baby Baby
111 BPM
A minor | ||
| A2 |
Caught
91 BPM
C# major | ||
| A3 |
These Hard Times
113 BPM
A# major | ||
| A4 |
Why I Like Roosevelt Pt. 1
117 BPM
G major | ||
| A5 |
Why I Like Roosevelt Pt. 2
84 BPM
C major | ||
| A6 |
In Dat Mornin'
104 BPM
C major | ||
| A7 |
Terrible Operation Blues | ||
| B1 |
Mother Fuyer
112 BPM
D major | ||
| B2 |
Hello, Sue
105 BPM
A# minor | ||
| B3 |
Number Writer
100 BPM
B minor | ||
| B4 |
Swamp Root
94 BPM
F# minor | ||
| B5 |
Slow Boogie
100 BPM
A major | ||
| B6 |
Hambone
122 BPM
D minor | ||
| B7 |
Puerto Vootie
97 BPM
E minor | ||
| B8 |
Chinatown, My Chinatown
118 BPM
G major | ||
| B9 |
African Jive
105 BPM
A# major | ||
| C1 |
When I'm In My Tea
120 BPM
A minor | ||
| C2 |
Road House Boogie
105 BPM
A# major | ||
| C3 |
Thunderbird | ||
| C4 |
Uh Oh (Get Out Of The Car) | ||
| C5 |
Hopped-Up-Mustang | ||
| C6 |
Hot Mama | ||
| C7 |
You Can't Bring Me Down | ||
| D1 |
Goodbye Baby | ||
| D2 |
The Letter | ||
| D3 |
No One To Love Me | ||
| D4 |
Gotta Let You Go | ||
| D5 |
Just Can't Say | ||
| D6 |
The Long Man | ||
| D7 |
The Big Break |
From the own's label:
Hip Hop did not develop in a vacuum- it´s roots can be traced back to the earliest Afro-American music, and the folks who were influenced by these sounds along the way. This LP compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920´s through the 1960´s that would go on to influence the entire rap music genre. The themes will be familiar- religion, politics, Black experience, badass gangsta rap, speed, sex, drugs and rock n´ roll.
Let´s listen to the lessons that the hipsters of the past taught the rappers of today.
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